Introduction: The Cultural Context
Every organization and every business is its own culture.
Andersen Stoneware is a cultural environment that places a distinct and unique
value on the process of making things. The Creative Economy is a culture that
places value on designing (innovating) things. Andersen Stoneware designs what
it makes and so Andersen Stoneware also values innovation.
Arguably, the Creative Economy is a response to the loss of
manufacturing (making things) in the United States and the rise of manufacturing in what
was once called third world nations. As such the ideology of the Creative
Economy movement glorifies designers over makers as it separates the act of
designing from the act of making (also repairing and maintaining which are qualified as "lesser skilled work " according to the "creative economy" system of measurement) (
example) In the marketing of the
Creative Economy, those that design, do not make, while those that make things
do so because they lack higher skills and creative capabilities. According to this world view it is low skilled jobs that are exported to low wage labor markets.
* The Creative Economy ideology
has created a master class with an alleged superior set of skills and methods
of evolving new ideas. In the era of the American Creative Economy movement,
Andersen Stoneware exists as a cultural anomaly, which may well be a precursor
of things to come to those who pay attention to the changes afoot in the global
context. This is Andersen Studio’s story, told in a way that it has never been
told before, in the context of a transforming world. And so it is also the
story of the world told from our perspective of interacting within it.
Andersen Stoneware was established in the era of the plastics
revolution with a founding philosophy dedicated to creating an
American hand made product affordable to the middle classes. Andersen Stoneware
was founded in 1952 as Ceramics by Andersen during the golden age of America’s middle
class . At the time of our founding, the distribution of wealth in the
United States took the form of a bell curve with the largest concentration of
wealth dispersed among the largest number of people.
Contemporary America is joined at the hip to China and
other manufacturing nations. As China grew its manufacturing, American
manufacturing declined and as this transformation occurred Communist China led
the way in creating a ravine of separation between the working classes and the
bureaucracy and/or ownership classes. In both contemporary China and the USA
the gap between the rich and the poor is growing as a global investors class
exploits the low-wage labor market. A
large portion of that market is located in China- a country once dominated by
the “workers party”. In 1980’s
The
Chinese Constitution was amended to allow private ownership of property excepting
the ownership of land. As Chinese private enterprise developed, the size of the privately
owned business sector equaled or surpassed the dept ridden state owned enterprises. Uproar
occurred in 2002 when the People’s Republic of China allowed private
capitalists into the Communist Party.
Unconscionable Capitalism
By the standards of the original political ideology of
Communism, the Chinese Communist Party is no longer representative of its name.
The Chinese Communist Party has merged with private capitalism in a mirror
image of the reverse transformation that has occurred in Maine during
approximately the same time period. The Maine State Constitution has been
superseded by statutory laws, which have created a vast network of state
capitalism, with a multifarious network of funds accumulated from taxpayers and gifts which together comprise a concentrated capital resource which now dominates over the private sector (by reasoned speculation) and has
in fact merged with private sector interests and non-profit organizations as
one continuous system, which can be considered as a de facto political party,
calling itself “the creative
class”, the projected next generation of owners of the means of production, be
those means located in Maine or in China or any other place.
"Over the ensuing decades, particularly in the 1990s when massive
investment poured into China, the families of CCP bureaucrats utilised
political power and links with foreign capital to transform themselves
into a new property-owning capitalist elite. CCP-connected
entrepreneurs, executives, outsourcing contractors, import and export
traders and professionals have emerged as the junior partners of major
transnational corporations in ruthlessly exploiting the working class."
World Socialst Website -Chinese regime amends constitution to protect private ownership- 2004
**
In China there
exists a huge divide between the rich and the poor with only a sliver of a
middle class between them and America is not far behind China’s lead.
China ranks #53 worst worldwide in terms of income inequality, with a Gini index (measuring wealth inequality) of 41.5. In comparison, the U.S. ranks #40 worst with a Gini index of 40.[ CIA World Factbook, accessed March 2011 ]
Factsabout China: RICH, POOR & INEQUALITY
Although Communism was born in response to exploitative
working conditions of 19
th century factories, the conditions for the
contemporary worker in China remains notoriously poor, discouraging
unions, and wages so low that China has become one of the most competitive
manufacturing nations on the globe. Sparse environmental regulations have
resulted in making China of the most polluted nations on Planet Earth.
The Chinese Symbol of the Yin-Yang
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Once China was home to a sophisticated culture of art and
philosophy producing finely crafted and beautifully designed ceramics along
side the philosophical master works such as the Tao de Ching, a philosophy
which I have come to know through
the western version of the I Ching translated by
Carl Jung.
The I Ching is part of an esoteric tradition in which the maker and creator are
complementary parts of an inseparable whole - a cultural tradition harmonious
with that upon which Andersen Stoneware was built, which in modern day jargon
of the business world might be called in-sourcing.
The I Ching is based on complementary opposites such as
creative and receptive, male and female, superior and inferior, within a
framework in which the whole is revealed through the interaction of opposites
rather than segmented as echelons within a class structure. The creative is
synonymous with the masculine and superior while the receptive is feminine and
inferior but superior and inferior, male and female, creative and receptive, do
not have the same connotations as those words signify within a class-structured
context. Jung conceptualized the complementary opposites of the I Ching as the
anima and animus – opposing but complementary forces of the human psyche- which
is an indivisible whole as visualized by the famous iconic symbol of the Tau de
Ching - a state of Oneness in which the
dark and the light taken separately imply its completion through the other.
In the esoteric model, the masculine is the creative seed,
which impregnates the feminine, which does the work of nurturing the seed into
the manifest world. The process of creating and that of bringing the form into
manifestation within the material world (making) are mutually dependent upon
each other. There is no finite line of demarcation where
the one begins and the other ends, as each is needed to bring the whole into
being.
The ideology of the Creative Economy is one of separations, divisions and
special interests. As I tell this story I intend to reveal that the Creative
Economy is worthy of the common street language interpretation where in bad is
good, good is bad and the creative is the destructive and the destructive
creative. The Creative Economy destroys, dismisses and refuses to recognize the
existence of everything in its path that does not serve its chosen special
interests. As the creative economy posits material wealth as the measure of all
“social benefit”, current events defy their standard of measure in the
emergence of well-educated terrorists materialistically living the American
dream but inexplicably motivated by forces immeasurable by materialism.
Our Story: The Local Reality
Pre-screening Requests for Applications For Public Funding
At some time in the early days of the Baldacci
administration I thought about applying for an apprenticeship grant for mold
making in the Traditional Arts category offered by the Maine Arts Commission. I
called by phone to request an application where upon I was told by The director of teh Traditional Arts Program at the Maine Arts Commission that I would have to make the case that ceramics is a traditional art. I
was taken aback by this request since ceramics is commonly recognized as one of
civilizations oldest art forms. In substance the request might seem reasonable
but if so, one would expect to find the question on the application and not as
a response to the request for the application. This communicated a message of
its own and since I didn’t have a firm commitment from one interested in
learning the mold making process, it discouraged spending further time on that
pursuit.
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Andersen Studio has been innovating new designs for the
market since 1952. This is a wax model of a new bird sculpture that I am
currently developing. The next step is to create the original mold, at which
point a few pieces can be cast so that I can develop the decoration of the
piece while the master and production molds are being created.
Later when the creative economy list-serve had become
discussion forums on the Maine Arts Commission web site, I explored the
Traditional Arts Forum where I found that the ability to start a topic was
delegated exclusively to The Director of the Traditional Arts Program, who had created only one topic. I requested
a description of the qualifications for traditional arts and the Director went
through a list which included passing down the tradition from one family
generation to the next. I said that our ceramic business met all the
qualifications to which the Director said that I was off topic- this in a
conversation in which there was one other person in addition to myself and the Director. This exchange re-enforced my instinctual conclusion that I would be
wasting my time to fill out the application.
This interaction is consistent with the general rapport that
exists between myself as a representative of Andersen Stoneware and the Maine
Art Commission and Maine Crafts Association. There are many stories I could
relay but the following demonstrates the “leveraging” methodology generally practiced
and promoted by Maine State Inc. In the interview with
Alan Hinsey by ChannelSix (
to which I linked in my previous post), Alan Hinsey states that Textech
had received seven wealth transfusions (“grants”) from the Maine Technology
Institute and so “leveraged” additional capital in the form of a federal
defense contract. I wonder why a company that has three manufacturing
facilities, one in Maine, one in China, and one in Thailand, needs tax payer
subsidization in order to obtain a national defense contract from the federal
government but such details are never explained- the key phrase is always that
the redistributed wealth “leveraged” more capital- and that means money making
more money- not to be confused with new wealth created through work and productivity-
but rather a creative manipulation of wealth redistribution. Once the
leveraging has occurred, the capitalization may create new wealth for those
whom are the beneficiaries of redistribution but it decreases the value of
money held by the general public as the funds coming from the federal
government are merely printed on presses, not wealth created through increased
productivity. The printed paper money decreases value of all wealth across the
land, as the federal government distributes freshly printed new capital in a
thinly hidden method of transferring the ownership of the means of production
to the members of the party – in this case the party is the so-called creative
class. As commonly practiced by Maine State Inc, the end game of leveraging is
to obtain federal money, and they use this end to encourage the public to
approve “economic development” bonds by a public vote.
When Capitalism becomes the Alpha and Omega.
Leveraging was clearly a factor in an event to which I was
invited to by a local non-profit organization, which had received a matching
grant from Governor Baldacci for a project that involved teaching how to make
ceramic mud pies of exactly the sort that your average three year old would
fashion out of clay. I can’t recall the amount of the grant but it was
successfully matched- to my point of view, clearly because the governor was
sponsoring it and so that signaled to the foundations and philanthropists that
it was a worthy cause. It is inconceivable that either the governor or the
matching contributors considered what was being taught, which in my view was
absolutely nothing as there is neither skill nor esthetics involved in
fashioning a crude mud pie out of clay. The motivation was clearly leveraging-
using the matching grant to move more capital into the state. The money is the
end game. The teaching skills involved in making things that purportedly
justify the grant are merely incidental to the fundamental purpose of
leveraging money to get more money. This is an instance in which the skills
involved in making of things are not considered as a significant end in its
self- in other words the act of making things is devalued to the point where
they are nothing more than the pawn in the game.
When I made the decision to attend this event I ignored my
gut instinct, which noted the two different messages on the invitation- one
message to celebrate the organization’s event and the other an invitation to
network.
Over the years my father has voiced the thought that all the
ceramic business and organizations on the Boothbay Peninsula should form a
network. The invitation was addressed to my father confirming that it was sent
to us based on knowledge of who
Andersen Stoneware is in the field of ceramics
rather than data procured by a general mailing list that I might have joined.
One of the first ideas that the introductory speaker
espoused was to encourage all in attendance to sponsor in ceramics teaching
workshops at their locations. I spoke up and said that we already teach ceramic
skills on the job and so what would be the point for us in conducting an
additional ceramic workshop in our own space? The speaker said that Andersen is
already well known so we didn’t need the publicity that a workshop would bring, seeming
irritated by my question.
Next a young woman who appeared to be no older than twenty
was introduced. She was the recipient of one of the teaching grants distributed
individually in the amount of $500.00. She reported that she had conducted the
workshop but it was not clear where she had conducted it and who had paid the
overhead costs of the workshop, which would include the costs of space and
electricity in addition to materials. It was also unclear if the students were
being charged for the classes. However when it came to selling the products
made in the workshop- little ceramic mud pies- the young woman had arrived at a
marketing concept - she publicized and charged for an event and then gave the
ceramic bowls away as an event prize enabling her to generate $500.00 in
revenue, which she then contributed to a charity (a food bank) as was a
requirement of the program (social benefit).
I was growing increasingly aghast at what I was witnessing
and so when a discussion commenced about how much could be charged for the
ceramic mud pies, I spoke up. I still had not managed to mentally transit from
the way that I imagined things should be- i.e. -teaching skills that can help
others to create an income for themselves- to the reality that was – teaching
an unskilled craft in order to give money to a charity to provide food for low
income people- and so I spoke from the perspective of what one would have to
consider when pricing a product for the private economy market. I mentioned all
the overhead expenses and I also mentioned that one has to be able to compete
with low priced products being imported from nations with extremely low labor
and production costs. I could see in the eyes of the audience that there was a
general interest in what I was speaking about but when I finished, an older
woman stood up, calling me by my name, she told me that they did not want to
hear what I had to say, they were there to listen to the twenty year old
novice. And at that point I left the Mad Hatters Party, having clearly worn out
my welcome as well as my own patience.
This is just another story among many that exemplifies the
attitude that the Creative Economy takes to people like us- small micro economy enterprises that are not
seen as advancing their own agenda. Andersen Stoneware pioneered the ceramics slip-casting
industry on the Boothbay Peninsula over sixty years ago, creating a “cluster
industry” as an off-shoot, but our knowledge and experience was dismissed in
favor of a twenty year old novice teaching the non-skills of making clay mud
pies all to serve the social benefit of funding food banks for the less
fortunate in the society in which the policies of the “creative class” has
advanced and continues to advance as they uphold a company with manufacturing
facilities in China and Thailand as their own poster child.
RESOURCES AND FOOTNOTE
Video by Leslie T Chang on Ted Conversations
Conversation started by Myself in response to the above
* In this international comparison of math and science skills among 15 year olds, China takes first place in math skills - the United States is placed at 25th -China also ranks above the USA in reading and science skills
** This post examining the special act of legislation by which the Small Enterprise Growth Fund was charted reveals that it is set up to allow government employees to profit from their positions via the fund by exempting the SEGF from a general law that prohibits the same. Exemptions from general laws constitute an additional violation against Article Iv Part Third Section 14 of the Maine State Constitution, which states that "all corporations however formed are subject to general laws". The SEGF is subsidized by the Maine Taxpayer in a manner that functions as a non-profit investment, while the private investors in the are "high growth" investors, who invest on a profit making basis. The SEGF submits its annual report exclusively to the state legislature
Facts about China: RICH, POOR & INEQUALITY
America’s
vanishing middle class: Gap between rich and poor widens
Chinese regime amends constitution to protect private ownership
Wages in China