Preserving The American Political Philosophy

TWEET THIS  http://goo.gl/If8NuD Part Three -  Continuing the Story:  My Experience at the 2009 Juice Conference Part One  http://goo.gl/hpj63W   Part Two http://goo.gl/xdwZDk Since I did not attend the ballet, I had to ask to find out my status, Once I learned that I had not made it to the semi-finals, I decided to stick around and find out who did.  I looked around the room and noticed a few people wearing badges that said "Art Creates Jobs' Total naivety, I thought, the power elite of Maine is not interested in the small number of jobs that art creates - the Baldacci administration was using artists in service of the gentrification of Maine's towns and cities following social engineer, Richard Florida's "creativity" template.. The cities and towns must present a culturally stimulating face in order to attract the "creative class"- code for the wealthy. In the plans of the corporate state the artists are just the bait used to cat

www.andersendesign.biz Introduction: The Cultural Context Every organization and every business is its own culture. Andersen Stoneware is a cultural environment that places a distinct and unique value on the process of making things. The Creative Economy is a culture that places value on designing (innovating) things. Andersen Stoneware designs what it makes and so Andersen Stoneware also values innovation. Arguably, the Creative Economy is  a response to the loss of manufacturing (making things) in the United States and the rise of manufacturing in what was once called third world nations. As such the ideology of the Creative Economy movement glorifies designers over makers as it separates the act of designing from the act of making (also  repairing and maintaining which are qualified as "lesser skilled work " according to the "creative economy" system of measurement) ( example) In the marketing of the Creative Economy, those that design, do no

In the last post we met Lego-Man , the face and voice of redistribution economics  whose avatar appropriately portrays a mechanized man as opposed to a living organic being . Lego-Man implied that I was too stupid to get in on the gravy train of government redistributed wealth. In fact I have a long history of trying to work with government resources. I first became involved in what our state government was doing at the beginning of the Baldacci administration. In my younger days I was not at all involved in politics, I hardly knew the difference between the Democrats and the Republicans and I had no idea what the left and the right were. And yet, even in my ignorance I leaned right.  I initially took an open minded approach to Baldacci's "creative economy"  but interpreted through my own lens to mean creative thinking about the whole economy, I soon realized that Baldacci did not share my way of seeing. Baldacci was a disciple of Richard Florida whose writings emphas

  THE JOINT STANDING COMMITTEE ON BUSINESS, RESEARCH AND ECONOMIC DEVELOPMENT if not the most of the Maine legislature have been following a Marxist course for decades, First it was just using tax payer funds as playing card in a game with high growth investors but now the legislature has transformed itself into the investor- acquiring land and property and setting up "funds" composed of every imaginable source of redistributed wealth to channel as much as possible into the hands of the state. They call crown themselves as "the innovative" or “creative economy"- In the Baldacci administration it began with promoting the template created by Richard Florida who set standard rules for measuring "the creative class" and cities, state and municipal governments across the nation flocked to conform to the Florida template by segregating society and economies into “the creative and innovative classes" and everyone else. With flowery language packaging,