Preserving The American Political Philosophy

Before I move on with my story, I want to make one point perfectly clea r about the insights I have been relaying about TexTech , which came to my attention because Alan Hinsey of MaineBiz Sunday heralded TexTech as the "poster child" of Maine's "creative economy" movement. When the Maine state legislature rose above the will of the people as expressed in the Maine state constitution to charter, by special ct of legislation , that corporation known as the Finance Authority of Maine, the legislature there in deemed the following to be true: The authority will serve a public purpose and perform an essential governmental function in the exercise of the powers and duties conferred upon it by this chapter. Any benefits accruing to private individuals or associations, as a result of the activities of the authority, are deemed by the Legislature to be incidental to the public purposes to be achieved by the implementation

TWEET with this short link http://goo.gl/rJg1Pn Introduction of a Theme: The Global Investment Community Threatened by The Small Craft Maker. A while back I had the thought that a factory worker in a low wage labor market could make as much with one sale on Etsy as he or she could working for a month in a factory. My next thought was that political forces in those countries would apply pressure to keep people from opening an Etsy Shop. I now believe that such political pressure exists everywhere as governments become entrenched in economic “globalism”. It may sound fantastic that governments and global capitalists are threatened by small craft enterprises, but the value systems and what benefits each are at odds with those of other. In this video, The Voices of the  Chinese Workers by leslie T Chang - a well dressed, Harvard educated, young Asian woman presents herself as the voice of the Chinese workers. Instead she comes across as a corporate shill advancing the concept that the

www.andersendesign.biz Introduction: The Cultural Context Every organization and every business is its own culture. Andersen Stoneware is a cultural environment that places a distinct and unique value on the process of making things. The Creative Economy is a culture that places value on designing (innovating) things. Andersen Stoneware designs what it makes and so Andersen Stoneware also values innovation. Arguably, the Creative Economy is  a response to the loss of manufacturing (making things) in the United States and the rise of manufacturing in what was once called third world nations. As such the ideology of the Creative Economy movement glorifies designers over makers as it separates the act of designing from the act of making (also  repairing and maintaining which are qualified as "lesser skilled work " according to the "creative economy" system of measurement) ( example) In the marketing of the Creative Economy, those that design, do no

My next contact with the “creative economy”, was with AlanHinsey , who was then a key mover and shaker at The MidCoast Magnet . Around that time I was reading two books, one titled Free Agent Nation *by Daniel H Pink and the other The Non- Profit Economy by Burton A Weisbrod ** Free Agent Nation described the economy that I recognized from my every day perspective- the micro economy made up of small business owners such as are located in small town communities like the Boothbay Peninsula. Free Agent Nation described an America of independent individualistic free agents, preferring to run their own businesses rather than to be company men in gray flannel suits. To my daily perspective, this seemed like a true portrait of America. The Non-Profit Economy by Burton Weisbrod, written in the 1980’s, described an over all economy made up of three separate and distinct sectors- the private sector, the government sector –and the non-profit sector. Each sector, in theory, served a fun

In the last post we met Lego-Man , the face and voice of redistribution economics  whose avatar appropriately portrays a mechanized man as opposed to a living organic being . Lego-Man implied that I was too stupid to get in on the gravy train of government redistributed wealth. In fact I have a long history of trying to work with government resources. I first became involved in what our state government was doing at the beginning of the Baldacci administration. In my younger days I was not at all involved in politics, I hardly knew the difference between the Democrats and the Republicans and I had no idea what the left and the right were. And yet, even in my ignorance I leaned right.  I initially took an open minded approach to Baldacci's "creative economy"  but interpreted through my own lens to mean creative thinking about the whole economy, I soon realized that Baldacci did not share my way of seeing. Baldacci was a disciple of Richard Florida whose writings emphas