Preserving The American Political Philosophy

How “The New England Idea” became “ the Communist Idea” ” at the University of Maine   "The Communist Idea" being that authors do not own the rights to their intellectual creations Clement Clay Photo Attribution Mathew Brady [Public domain] I recently published this history of the University of Maine on Medium , selecting the same publication that published my story on IDEXX,Dialogue and DiscIourse.   When i posted my recent stories, I used the drop down menu but I did not get the confirmation that either story had been submitted to the publication, instead they are published outside of a publication where they receive minimal exposure. This is nothing new in my experience. Note : 12 15 2019 Since I published this, I have discovered that the corruption of my publishing function, may be due to having registered under same name twice. This is not yet confirmed, but in the meantime, I have deleted the University of Maine post so that I can resubmit it. Lic

The season for electing town selectmen is underway locally. I live in Boothbay but since a public private economic development group (JECD) has been implemented on the peninsula which finances itself by taxing both municipalities, it is fair game to ask questions of candidates for Boothbay Harbor selectmen announcing their candidacy in letters to the editor of the Boothbay Register. I started writing this blog back around 2007 because I observed that in the Maine media, economic development policy is reported propaganda style, one point of view presented, almost exclusively of all others. This media policy extends to major politically transformational economic development acts of legislation, or better said, the failure to publish stories and information before and after such acts are passed. The Industrial Partnerships Act of 2013 , is an arguably totalitarian measure which threatens to solidify the central management of everything in Maine by the public-private state. Shortly aft

In the News- Or Should Be               Tweet This: http://goo.gl/CX0Vo8 Maine Arts Commission sponsors The National Endowment for The Arts is an early model for a government "instrumentality" which transfers taxpayer wealth to special interests. The federal funds made available through the National Endowment for the Arts generated the creation of state art bureaucracies across the nation, serving as redistribution centers for NEA funds and other capital resources.  The NewEngland Foundation for the Arts is a regional non-governmental organization that has a draw on a larger pool of wealth than any of of the individual New England states. It is a given that laws governing private sector and government sector are not identical, accounting for the growing popularity of "private public relationships", which when left unexamined for long periods of time, encourage an "identity fluidity", advantageous to both sides of the partnership. The state art bur